This display marks the bicentenary of the birth of George Eliot (1819–80), one of Britain’s most renowned novelists. Born Mary Anne Evans on 22 November 1819, she embarked on her career at the relatively mature age of thirty-two.
Evans adopted the pseudonym ‘George Eliot’ to retain her anonymity. Since 1853, she had been romantically involved with a married man, the writer George Henry Lewes; although separated from his wife, their relationship was regarded as improper. Eliot also had concerns about her physical appearance, as her face had been described as ‘long’, ‘pale’ and horse-like. A pen-name could avoid drawing attention to both her awkward social position and unconventional looks, and allow her novels to be judged on their own merits.
Eliot’s efforts to keep a low public profile extended to the visual image, this display’s central theme. At a time when the trade in popular portraits of celebrities was flourishing, she was extremely wary of being photographed. The NPG holds most of the few known portraits of Eliot, five of which are included in the display. The circumstances of their production and display reveal Eliot’s conflicted regard for portraiture and portrayal.
Reed Exhibitions supports and promotes the wider publishing festival of events surrounding London Book & Screen Week but has no operational responsibility for the planning and management of these events in terms of safety and security. Reed Exhibitions can accept no liability for any losses arising out of visiting these events and visitors to London Book & Screen Week must exercise their own discretion with regard to their itinerary outside London Book & Screen Week. Please contact the Organiser of the specific event for further information.
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